Dispatches

Weekly Dispatches From the Front Lines of World Literature

The latest news from Bulgaria, Palestine, and Serbia!

This week our writers bring you the latest news from Bulgaria, Palestine, and Serbia. In Palestine, the Sheikh Zayed Book Award winners have been announced, including Iman Mersal taking the Literature Award; in Serbia, a new anthology of Miloš Crnjanski’s poetry has been translated into English; and in Bulgaria, a conference about Bulgarian Literature as world literature was held at the National Book Center. Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

It is an unusually hot spring, Ramadan is in its last third, and the country has been under partial lockdown for a long time, which leaves no reason to wonder that the literary scene in Palestine is suffering from Frühjahrsmüdigkeit (aka springtime lethargy)! One cannot but wonder how people in hotter regions, such as in the United Arab Emirates, not only manage to get through with their days, but also make international literary news.

Seven authors and researchers, from Egypt, Tunisia, Saudi Arabia, and the US, as well as a publishing house from Lebanon, have been declared the winners of this year’s Sheikh Zayed Book Award. The winners were selected from a pool of more than 2,300 submissions, the most the annual award has received since it was founded in 2007. The awards will be formally presented via a livestream ceremony on Youtube during the Abu Dhabi International Book Fair (23–29 May 2021).

This year’s Literature Award went to Iman Mersal for her 2019 work of creative nonfiction Fee Athar Enayat Al Zayyat (In the Footsteps of Enayat Al-Zayyat). This look into the life of the Egyptian writer Enayat al-Zayyat, who killed herself in 1963, illuminates the challenges of writing while female, of attitudes toward mental health, and life in mid-20th-century Egypt. It is part detective story, part biography, and part memoir, and unfolds tender and surprising connections. It recently came out in Richard Jacquemond’s French translation as Sur les traces d’enayat Zayyat. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from the Vietnamese Diaspora, Taiwan, and the Czech Republic!

This week’s dispatches feature an extended report from the Vietnamese Diaspora in homage to the late Nguyễn Huy Thiệp, who passed away in Vietnam aged seventy. In addition, we bring you news of the publication of Nishikawa Mitsuru’s diary in Taiwan and a plethora of current online events celebrating literature from the Czech Republic. Read on to find out more! 

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

Nguyễn Huy Thiệp, who catapulted into international fame during Vietnam’s Đổi Mới (Renovation) period, died on 20 March in Thanh Xuân District, Hanoi, Vietnam. He was seventy.

Born on April 29, 1950, Thiệp graduated from Hanoi University of Education with a history degree in 1970 and was sent to Sơn La—Vietnam’s northwestern mountains—to teach communist cadres. While there, he absorbed local Hmong folklore, Vietnamese poetry, translated selections from modern and classical Chinese literature, Dostoyevsky, Gogol, Gorky, Camus, Goethe, Tagore, Neruda, and the Bible.

From 1986 to 1991, Nguyễn Huy Thiệp’s short stories were widely read and debated both in Vietnam and abroad for their startling break from social realism. His most controversial—which can be read as nesting narratives—were “Vàng Lửa” (Fired Gold), “Kiếm Sắc” (“Sharp Sword”), and “Phẩm Tiết” (“Chastity”). These stories employ decentralized, conflicting points-of-view, vernacular language, and spare dialogues to render complex portraits of established historical figures such as the poet Nguyễn Du, and Emperors Quang Trung and Gia Long. The works embody Thiệp’s signature themes: the relationship between the artist and the state, the porous border between trust and betrayal, and the concept of chastity as it relates to sexual power, ideological orthodoxy, and political expediency.

The era of open expression was short-lived. Thiệp’s ambiguous, scatological tales were considered too destabilizing to the Communist view of Vietnamese history. Accused of heresy, overnight Thiệp became a de-facto dissident. The editor Nguyên Ngọc, his literary mentor, was also fired from Văn Nghệ (Literature and Art) Magazine—where his works first received a nurturing reception. To sustain his livelihood, Thiệp made ceramic art and managed a restaurant serving wild game.

He kept a low profile but continued to write and publish short stories. His oeuvres at this juncture—a hybrid form of literary homage and Dadaist musings—were considered too insular to merit attention. “As The Crane Ascends It Gives a Startled Cry” (“Hạc Vừa Bay Vừa Kêu Thảng Thốt”) is an allegory about mortality, missed opportunity, and “the pale glimmer” of poetic fame. The protagonist in “A Vietnamese Lesson” (“Bài Học Tiếng Việt”) posits that the compound word tâm hồn (soul) in Vietnamese, coming from an impoverished lexicon, is sadly deprived of affiliations to sexual organs (forthrightness) and yellow traffic signal (moderation/doubt).

Thiệp was awarded the Chevalier Insignia of France’s “Ordre des Arts et des Lettres” in 2007, and the Premio Nonino Prize by the Italian government in 2008. At his death, his legacy consists of some fifty short stories, a novel, seven plays, and a collection of essays called A Net to Catch The Birds (Giăng Lưới Bắt Chim). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from China, Albania, and Central America!

This week, our writers bring you news from China, Albania, and Central America. In China, the prestigious October Literature Prizes have been presented, with Jidi Majia awarded the 2020 Special Achievement Award; in Albania, the National Center for Books and Reading has revealed the winners of the its 2020–2021 translation fund; and in Central America, Carlos Fonseca and José Adiak Montoya have been featured on Granta‘s best young Spanish-language authors list. Read on to find out more! 

Xiao Yue Shan, Blog Editor, reporting for China

October 十月, the renowned literature magazine founded in August 1978, gets its name from the downfall of China’s Gang of Four (a group of Communist Party leaders who took most of the blame for the Cultural Revolution’s devastations) in the October of 1976—upon which, as the line goes, the people of China were able to put behind them ten years of terror, and begin anew the aspirational proceedings of a new national context. As such, it is a publication that took upon itself the tremendous responsibility of delineating the rapidly changing cultural milieu, as well as rousing once more the imaginary and illuminating capacities of a language crippled from years of demolishment. It remains today one of the most prestigious publications of the nation, and the October Literature Prize amongst the highest honours awarded to Chinese writers.

On April 16, the sixteenth and seventeenth October Literature Prizes were presented in “the first town built on the Yangtze”—Lizhuang in Sichuan province. Of each edition, twelve writers were honoured in categories of Novel, Novella, Short Story, Essay, Poetry, and Special Achievement. Jidi Majia 吉狄马加 received the 2020 Special Achievement Award for his book-length poem, 裂开的星球 (The Split Planet), a totemic work that brings the soaring epics of myth into the startling light of the present, as inquiries to the human soul once again come to the poet’s consciousness; the work is emblematic of Jidi’s conviction that poetry holds a knowledge of the future. Also amongst the awardees was writer A Lai 阿来 for his novel 云中记 (In the Clouds), which describes the complete disappearance of a Tibetan village in the aftermath of the 2008 Sichuan earthquake, and a local priest’s invocations of how one copes in the face of profound, replete obliteration. A full list of winners can be found here (Chinese only).

If you are to find yourself somewhere near Nanjing, it would be worth your time to visit the Tangshan Quarry Park, a devastatingly beautiful, painterly topography formed from a past limestone mine. It is also the site of the latest location of the Librairie Avant-Garde, a chain of bookshops well-respected for its literary selections, newly opening this month. Taking over the site of an abandoned processing plant, the newly opening Librairie is a stunning feat of contemporary architecture, preserving the red-brick facades rounded towers of its past life, while adopting cleanly to the slopes and gentle light of its natural surroundings. And even if you’re not the type to be impressed with elegant arches and staircases, the books should do; Librairie Avant-Garde is known especially for their revere of poetry, and the thousand-volume collection available here, ranging from Bei Dao to Pessoa, is given proper regard and pertinence. The opening event, held on April 17, also featured the first Librairie Avant-Garde Poetry Awards. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Hong Kong, Sweden, and Malaysia!

This week, our writers bring you the latest news from Hong Kong, Sweden, and Malaysia. In Hong Kong, a commemoration of the 700th anniversary of Dante’s death and Voice & Verse Poetry Magazine talks are some of the live events that have started taking place again; in Sweden, Axel Lindén was awarded the Aftonbladet annual literary award; and in Malaysia, Catherine Menon’s debut novel, Fragile Monsters, has been released in English translation, while the Malaysian Poetry Writing Fortnight (MPWF) has been launched. Read on to find out more! 

Charlie Ng, Editor-at-Large, reporting from Hong Kong

As the fourth wave of the COVID-19 outbreak slows in Hong Kong, cultural and literary activities have begun to return to live venues. Local bilingual poetry magazine Voice & Verse Poetry Magazine organised a poetry talk on the theme of wine, titled “If Our Poetry is Wine” on April 10 in Lai Chi Kok. Poet Chan Li-choi and translator Ko Chung-man were invited to share their views on poetry and wine. Participants could enjoy wine together with the guests to celebrate the inspirations endowed by Dionysus.

Hong Kong’s Dante Alighieri Society hosted three sessions of “Dante Alighieri Flash Readings” to commemorate the 700th anniversary of the death of the great Italian poet. Italian actress Nicole Garbellini and local actor Marc Ngan were invited to give lectures on Dante’s The Divine Comedy, covering the three cantiche: Paradiso, Purgatorio, and Inferno. The events took place at landmarks of the Central and Western District, and Causeway Bay to engage the public in the appreciation of the famous medieval poet.

From March 2 to April 14 artist Michael Leung’s exhibition “Publishing (To Find Each Other)” was open to the public at the Floating Projects in Wong Chuk Hang. The interdisciplinary exhibition explores the themes of publication and storytelling. Throughout March, Michael Leung also hosted sessions to discuss his experience of hybrid publishing with the audience. Workshops were held by the artist to produce zines with participants.

As well as face-to-face events, going online is still a popular way to stay connected with the public however. Local arts centre MILL6 Foundation is organising an online discussion forum, “Poetic Emergences: Organisation through Textile and Code,” to explore cross-boundary aspects of textile and weaving, including technology, art-making, and social mediation.

Eva Wissting, Editor-at-Large, reporting from Sweden

Swedish newspaper Aftonbladet has announced that its annual literary award will go to Axel Lindén this year. Lindén’s first book, Fårdagboken, was published in 2017 and translated into English by Frank Perry as Counting Sheep: Reflections and Observations of a Swedish Shepherd in 2018 (Atria Books). It was followed up in 2020 by Tillstånd, with the English title Every Other Pine, Every Other Fir. The jury’s motivation is that Lindén’s authorship “takes on the largest questions of our time by turning away from the center and all literary salons, towards the rural areas, the animals, the forest, and the self-doubt.” READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Palestine and India!

This week, our writers bring you the latest news from Palestine and India. In Palestine, the literary community has mourned the passing of the great Palestinian poet Izz al-Din Manasirah, while Adania Shibli’s Minor Detail has been nominated for the 2021 International Man Booker; and in India, feminist poet Dr Anamika has won the prestigious Sahitya Akademi award for Hindi poetry for her collection Tokri Mein Digant: Theri Gatha. Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

“I will continue the culture of resistance until my departure, either to the grave or to Palestine.” These are the words of the Palestinian poet, thinker, critic, and academic Izz al-Din Manasirah, who passed away this week in Jordan (aged seventy-five) due to COVID-19. Remaining true to his words and beliefs, he led the kind of life in exile that associated his name with the Palestinian revolution and resistance, earning him the title of “The Revolution’s Poet.”

Manasirah was one of the most prominent poets of the 1960s generation, whose texts expressed the concerns of national liberation, in addition to his critical engagement with the global, Arab, and local literature. He contributed to the development of modern Arabic poetry and the development of methodologies of cultural criticism, and was often referred to as one of the pioneers of the modern poetic movement. The media experience that he presented through cultural programs in Jordan was an important cornerstone in uncovering many talents.

Holder of several literary and academic awards, he is nonetheless best known for his poems sung by Marcel Khalife and others, most famously “Jafra” and “In Green We Coffined Him.”

With the death of Izz al-Din Manasirah, Palestinian poetry bids farewell to the last of the Great Four (along with Mahmoud Darwish (1941–2008), Samih al-Qasim (1939–2014), and Tawfiq Zayyad (1929–1994)).

Despite such saddening news, the Palestinian literary scene—a truly fertile one—has rather pleasing news to celebrate this week. Booker International organizers announced the 2021 longlist. Unsurprisingly, Adania Shibli’s Minor Detail, translated from the Arabic by Elisabeth Jaquette, was on the thirteen-book list. In their statement, the jury members praised the book saying: “The first part of this devastatingly powerful book gives a laconic account of a shocking crime. In the second, decades later, a woman sets out to comprehend that crime. Set in disputed ground, this austerely beautiful novel focuses on one incident in the Palestine/Israeli conflict and casts light on ethnic conflicts, and ethnic cleansing, everywhere.” Minor Detail was Asymptote’s choice for May 2020 Book Club. In “Textual Echoes,” Jaquette talks candidly about her translation.

Suhasini Patni, Editor-at-Large, reporting from India

Sahitya Akademi, India’s National Academy of Letters, announced its awards for outstanding literary merit for 2020 on March 12. The academy awarded its prizes in twenty languages, rather than the usual twenty-four with the awards for Malayalam, Nepali, Odia, and Rajasthani languages to be announced at a later date. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Poland and Central America!

This week, our writers bring you news from Poland and Central America. In Poland, the life and work of the renowned poet Adam Zagajewski has been celebrated after he passed away, while Olga Tokarczuk has published a children’s book; and in Central America, a new literary magazine has been launched to feature LGBTQ+ voices. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Poland

The literary community not just in Poland but around the world has been mourning the loss of  the great Polish poet and essayist Adam Zagajewski, who passed away in Kraków on 21 March, aged seventy-five. The winner of numerous literary awards, including the Neustadt International Prize for Literature (2004) and the Zhongkun International Poetry Prize (2014), Zagajewski was appointed a Chevalier of the French Legion of Honour in 2016. His 2002 poem “Try to Praise the Mutilated World” (translated by Clare Kavanagh) captured the sombre mood after 9/11. In his final interview, published last summer on culture.pl, he defined poetry as follows:

I’m partial to a very old definition articulated by an Italian Jesuit poet and philosopher at the turn of the 18th century: “Poetry is a dream made in the presence of reason.” I adore that, as it contains two elements—something wild connected to imagination and dreams, yet still kept in order by reason. A sort of dialogue with the imagination.

Although he had been mooted as a candidate for the Nobel Prize in Literature for many years, Zagajewski never received that accolade. Olga Tokarczuk, who won the prize in 2018, and has “always held that writers don’t really have biographies, and that the best way to find out about them is to read their books,” was nevertheless compelled to write a biographical essay, which has recently appeared on the Nobel Prize website (trans. Antonia Lloyd-Jones,) in which she tackles the subject with her customary warmth and originality.

Tokarczuk has also branched out into picture books with Lost Soul, a “meditation on the fullness of life,” illustrated by Joanna Concejo and also translated by Lloyd-Jones. The translator is also behind the English version of the delightful second outing of the matronly sleuth, Zofia Turbotynska, in Karolina and the Torn Curtain, a retro crime story set in the 1890s in Kraków, penned by Maryla Szymiczkowa, a.k.a. the writer-translator duo Jacek Dehnel and Piotr Tarczyński. For further details of these Polish books and more, due to appear in English 2021, look no further than this helpful list compiled by culture.pl.

The latest threats to freedom of expression in Poland are summed up in a report by constitutional lawyer and former journalist Anna Wójcik. They relate to a 1,700-page anthology on the extermination of Jews in Nazi Germany-occupied Poland during the Second World War, Night Without End. The Fate of Jews in Selected Counties of Occupied Poland, published in 2018. A Warsaw district court ruled in February that its authors, prominent Holocaust researchers Professor Jan Grabowski of the University of Ottawa and Professor Barbara Engelking, who heads the Polish Center for Holocaust Research of the Polish Academy of Sciences, must publicly apologize for statements alleging that the mayor of the village of Malinowo shared responsibility for the death of Jews there in 1943 at the hands of Nazi Germans and that he robbed a Jewish woman of her possessions.

To end on a positive note: in December 2020, writer, publisher, and head of the Pogranicze (Borderland) Foundation, Krzysztof Czyżewski, was awarded the Ambassador of New Europe prize by the European Solidarity Centre in Gdańsk and the Eastern European College in Wrocław for his book W stronę Xenopolis (Towards Xenopolis), while Szczepan Twardoch’s The King of Warsaw (trans. Sean Gasper Bye) was longlisted on 11 March for the European Bank for Reconstruction and Development Literature Prize 2021.

José García Escobar, Editor-at-Large, reporting from Central America

Last month saw the launch of a new arts, culture, and literary magazine in Central America: Revista Impronta, which will focus on the work and voices of the LGBTQ+ community in the region. Made possible by the effort of journalist Daniel Villatoro, Revista Impronta has since shared work by Central American artists such as rapper Rebeca Lane, writer David Ulloa, poet Roy G. Guzmán, fashion designer Manuel de la Cruz, and comic book artist Breena Núñez.

Additionally, authors, bookstores, and festivals across Latin America recently came together to honor the Guatemalan writer Augusto Monterroso, who would have turned 100 this year. Monterroso is most famous for books such as La oveja negra y demás fábulas (The Black Sheep and Other Fables), and for his story “El dinosaurio” (“The Dinosaur“). Augusto Monterroso was also awarded the Juan Rulfo Award in 1996, the Miguel Ángel Asturias National Prize in Literature in 1997, and the Prince of Asturias Award in Literature in 2000 and is regarded as one of Guatemala’s finest authors.

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Read more on the Asymptote blog:

Weekly Dispatches From the Front Lines of World Literature

The latest news from Hong Kong, Lebanon, and Taiwan!

This week, our writers bring you news from Hong Kong, Lebanon, and Taiwan. In Hong Kong, Voice & Verse Poetry Magazine is publishing a special section on Myanmar writing; in Lebanon, poet Zeina Hashem Beck’s second poetry collection will be published by Penguin; and in Taiwan, the 2021 Taipei Literary Festival has kicked off. Read on to find out more! 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

In a show of solidarity to the resistance efforts in Myanmar, Voice & Verse Poetry Magazine is publishing an English-language section on Myanmar, to be edited by poet, writer, and academic Tammy Lai-Ming Ho. The magazine will accept submissions until March 30 and has already announced that it will include some works in translation. So far, Thiri Zune’s translation of Nay Thit’s “With the Teeth of a Mad Flower” and Ko Ko Thett’s translation of Aung Khin Myint’s poem “Spring” will be in the upcoming issue. Both are timely responses to the military coup which has killed well over 200 people, including poets Myint Myint Zin and K Za Win, and has caused countrywide Internet blackout and crackdowns on the media. While international condemnation of Myanmar’s military leaders is escalating, many in Hong Kong identify with the resistance from the onset, especially with the fresh memory of the city’s own protests.

In addition to its efforts for Myanmar, Voice & Verse held an event discussing the American poet Louise Glück, winner of the 2020 Nobel Prize in Literature, on World Poetry Day (March 21, 2021). Hosted by writer, poet, and critic Ian Pang in Cantonese, the event discussed Glück’s oeuvre, from her first poetry collection Firstborn (1968) to more recent works.

Works in translation also feature prominently in the forty-fifth Hong Kong International Film Festival, set to take place between April 1 and 12. With over 190 titles from fifty-eight countries and regions, the festival is proceeding in a hybrid format with in-theatre and online screenings as well as director discussions. This year’s showcase includes Wife of a Spy directed by Kurosawa Kiyoshi and Andrei Konchalovsky’s Dear Comrades!, which recently won Best Director and the Special Jury Prize respectively at the 2020 Venice International Film Festival; Golden Globes Best Foreign Language Film winner, Minari, by Korean-American director Lee Isaac Chung; and Japanese masterpieces in the event of Shokichu Cinema’s 100th anniversary. These already rich offerings are accompanied by a selection of newly restored classics from world and Chinese-language cinemas, recalling Parasite director Bong Joon-ho’s Golden Globe statement, that once one overcomes the one-inch barrier of subtitles, one gains access to many more amazing films and works of art.

MK Harb, Editor-at-Large, reporting from Lebanon

2022. Since the start of the pandemic and the global vaccine roll out, a number of hopes, projects, and “return to normal” discourse have been thrown onto that year. However, here at Asymptote, we are excited to hear that acclaimed Lebanese Poet Zeina Hashem Beck will debut a poetry collection with Penguin Books in the summer of 2022! Titled O, the collection will be a meditative reflection on the letter O and its numerous meanings. Hashem Beck previously won the 2016 May Sarton New Hampshire Poetry Prize for her book Louder than Hearts.

March is usually a generous month to us and we will share this generosity through some exciting Arab literature reading lists! The Arab lit Quarterly Spring issue is out with exciting writings and translations on the theme of “Song.” Guest edited by investigative journalist Karim Zidan, this issue has a far-reaching range from tenth-century poetry by the polymath Kushajim (in translation by Salma Harland) to a journey through Palestinian resistance folk music with Shaimaa Abulebda. Another reading list we are excited about is the Sheikh Zayed Book Award shortlist! Dominated by women authors from the Arab world, the list includes authors from Egyptian Iman Mersal to Lebanese Alawiya Sobh. Happy reading!

In translation highlights, acclaimed Lebanese author Hoda Barakat’s novel, which won the 2019 International Prize for Arabic Fiction, is out now with an English translation and a controversial title! Translated by another acclaimed translator, Marilyn Booth, the title of “Voices of the Lost” is seen by some as reductive to the devastating stories of migrants in the novel. Another work we are enamored with is the collection of short stories A Bed for the King’s Daughter written by Syrian author, Shahla Ujayli, whose past work was long listed for the International Prize for Arabic Fiction. The collection, translated by Sawad Hussain, with an important forward on biases in the literary market, uses surrealism and humor to address many of modernity’s malaises from alienation to the patriarchal gaze. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Belgium, Sweden, and Japan!

This week, our writers bring you the latest news from Belgium, Sweden, and Japan. In Belgium, the 2020 SACD and Scam prizes were awarded; in Sweden, Littfest is kicking off with a special emphasis on Sámi voices; and in Japan, two new thrillers and science fiction short stories are being translated into English. Read on to find out more! 

MARGENTO, Editor-at-Large, reporting from Belgium

In the mix of despair and sarcastic humor surrounding the Covid vaccine tragicomedy—pocked by the persiflage at the abundance of excessively well-paid officials of a small nation with . . . six governments and nine health ministers—Belgian literary and artistic life seems to have found its own path. Breaking news: the 2020 SACD and Scam prizes were awarded yesterday within a pandemic-adapted in-person ceremony whose online video version is already attracting numerous social media viewers. The literary prize goes this year to young poet Charline Lambert, author of 4 collections of poetry and 2017 winner of the Wallonia-Brussels Federation prize for her debut book Chanvre et lierre. The 2021 special format involved rewarding writers and artists for their long-standing contributions rather than a specific work, and previous editions have highlighted established poet, novelist, philosopher, and literary critic Véronique Bergen and prolific writer and translator Emmanuèle Sandron.

The in-person-and-online combination seems to have gained ground on a larger scale across the nation as the Royal Library of Belgium (KBR) is inviting visitors to enjoy a 600-year-old previously hidden treasure-trove (the library of the Dukes of Burgundy) while substantially boosting its collection digitizing and digital culture related initiatives. Among the latter, most notably, the cutting-edge Digital Research Lab facilitates text and data mining research on KBR’s diverse, multilingual digitised and born-digital collections, and co-organizes together with Camille and two universities—Université libre de Bruxelles and Ghent University—a widely mediatized Digital Heritage Seminar series. The library’s collaboration with Belgian universities goes in the field of literary translation as well, as a newly launched research initiative run jointly with KU Leuven and UCLouvain (BELTRANS) undertakes to tell the untold history of “literary translation flows” in Belgium between French and Dutch in the period 1970-2020. However gigantically active, KBR is still not the only cultural hub digitally adjusting to the ‘new normal’. PILEn (the book and digital publishing inter-professional partnership) has recently launched an online tool for browsing Belgian Francophone presses by subject and genre, and continues its long-standing hybrid writing series featuring cross-artform projects and multi-support poetry. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Slovakia, Hungary, and Bulgaria!

This week, our writers bring you news from Slovakia, Bulgaria, and Hungary. In Slovakia, this year marks the centenary of the birth of renowned writer Ladislav Grosman, while Pavol Rankov has made history by winning the European Book Prize 2020; in Hungary, acclaimed poet Krisztina Tóth is being targeted after criticising some books on the country’s school curriculum; and in Bulgaria, George Orwell’s works being released to the public domain in 2021 has sparked a plethora of new translations. Read on to find out more! 

Julia Sherwood, Editor-at-large, reporting from Slovakia and Hungary

The beginning of the year marked 100 years since the birth and forty years since the death of Slovak-born writer Ladislav Grosman. Born in the eastern Slovak town of Humenné on 4 February 1921, he moved to Prague after the war where he made his mark as a writer in the 1960s and, following the Soviet-led invasion of Czechoslovakia in 1968, emigrated to Israel where he died on 25 January 1981. Grosman is primarily known for his novel The Shop on Main Street, which he later adapted into a screenplay for the film that won the foreign language Oscar in 1985. His other books, including Nevesta (The Bride) and the 1000-page-long novel Adam remain largely unknown.

With the European Book Prize 2020 for his novel It Happened on the First of September (Or Some Other Time), Pavol Rankov scored a hat trick, becoming the first Slovak recipient of three international prizes (the book won the European Union Prize for Literature in 2009 and the Polish Angelus Prize in 2011). This time a panel of thirteen journalists from the leading European media chose his book as a “a great contribution to researching the memory and consciousness not only of the people of the Eastern bloc but of all Europe.” Reacting to the news Rankov said: “I view the award as more of a recognition of the French translation than of the original Slovak text, which the jury never held in their hands.” Michel Chasteau’s French translation appeared in 2019, and the book is now also available in English, in Magdalena Mullek’s translation.

Slovakia’s literary scene is unthinkable without the colourful figure of publisher Koloman Kertész Bagala. Since founding his publishing house thirty years ago, Bagala has published 500 books by Slovak writers, organised twenty-five rounds of his short story competition Poviedka, and hundreds of discussions, readings and other events, as well as discovering many new Slovak writers. Bagala, sometimes referred to as the “unguided missile of Slovak literature,” has persevered despite several near-bankruptcies and nervous breakdowns. While some authors moved on to more mainstream houses, many have remained fiercely loyal. They include Balla, a past Asymptote contributor, who immortalised the maverick publisher in his novel Big Love. When his narrator bumps into Bagala in a seedy bar in Rotterdam, he observes: “This man looks perfectly at home wherever he is, as if he belongs wherever he happens to be . . . Dishevelled, unkempt, unshaven, frustrated, on the brink of bankruptcy and madness—but right where he belongs.”

And in the week when we celebrate International Women’s Day, we can’t ignore disturbing news from Slovakia‘s southern neighbour, Hungary: Krisztina Tóth, one of most acclaimed contemporary Hungarian poets and writers (and past Asymptote contributor) has become the target of a vicious media campaign after she criticized some of the books in the country’s school curricula for depicting women as passive and submissive (more information on Hungarian Literature Online). Taken out of context, these were presented as calls for the banning of literary classics and she has been subjected to horrendous harrassment, even having dog excrement pushed through her letter box. In an interview with the Czech writer Dora Kaprálová for the Slovak-Hungarian online journal dunszt.sk, Tóth said: “Power has no sense of humour, authoritarian regimes destroy the sense of playfulness and humour, since they assume a variety of points of view. My weapon is irony. But now my weapon has been destroyed and I am bleeding.” READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from the Vietnamese Diaspora, Taiwan, and the United States!

This week, our writers bring you the latest news from the Vietnamese Diaspora, Taiwan, and the United States. The diasporic Vietnamese community has been mourning renowned poet Nguyễn Lương Vỵ; in Taiwan, Leo Ou-fan Lee and Esther Yuk-ying have released their highly acclaimed co-authored memoir; and in the United States, PEN America has announced the Longlist for the 2021 PEN America Literary Awards. Read on to find out more! 

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

The diasporic Vietnamese community is mourning poet Nguyễn Lương Vỵ, who recently died of COVID-19 at aged sixty-eight. Tributes and essays devoted to his fruitful legacy have appeared online, with mentions of his March 3, 2021 funeral in Midway City, California.

Born in Quảng Nam, Central Vietnam—a hardscrabble terrain famous for its revolutionaries and poets—Nguyễn Lương Vỵ used onomatopoeic speech to create multivalent “compressions” of sound, image, and sense. Instructed in Chinese and Nôm scripts by his grandfather, Nguyễn Lương Vỵ gravitated toward Tang poetry, haiku, and Zen philosophy. These influences shaped his lifelong exploration of Âm, a Vietnamese homonymic concept that represents the motherlode of sound, voice, language, female, and night, overlapping with the Buddhist, Hinduist, and Jainist Om. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Palestine, Hong Kong, and Malaysia!

This week, our writers bring you news from Palestine, Hong Kong, and Malaysia. In Palestine, the world has been remembering the renowned writer Mourid Barghouti, who passed away this month; in Hong Kong, Dorothy Tse’s first novel to appear in English, Owlish, will be released by Fitzcarraldo Editions and Graywolf Press; and in Malaysia, two new anthologies celebrate Malaysian writing. Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

If it weren’t for COVID-19, the narrow streets of Deir Ghassana would have been jammed with mourners on Valentine’s day. Just like many other villages around the world, Deir Ghassana—the small serene village to the north of Ramallah in the central hills of Palestine— usually celebrates Valentine’s day, but not this year: for Mourid Barghouti passed away.

Born on a hot day in July 1944 in one of the village’s old houses, Barghouti grew to become a beloved Palestinian poet, performer, public speaker, and memoirist, albeit living most of his life in exile. He wrote the popular memoir I Saw Ramallah, which chronicled his return to the West Bank in 1996 and was translated by novelist Ahdaf Soueif. He also wrote a follow-up memoir, I Was Born There, I Was Born Herewhich tells his story from 1998 to 2010, translated by Humphrey Davies. He published more than a dozen collections of poems, and a collection of his work, Midnight and Other Poemswas translated by his life partner, the great Egyptian novelist Radwa Ashour (1946–2014).

In his foreword to the English version of I Saw Ramallah, Edward Said wrote of Barghouti’s treatment of loss experienced in exile that, “it is Barghouti’s extended rebuttal and resistance against the reasons for that loss that endows his poetry with substance and gives this narrative its positive valence.” The loss of such a writer is great, but Barghouti will always be remembered. His legacy is extremely rich, not only because he was one of the most articulate defenders of the Palestinian cause, but because his writing has encapsulated the collective agony and sumoud (steadfastness) of the Palestinian people everywhere.

In his memoir, Mourid writes about the loss of his private days—his birthday and his anniversary—as author Ghassan Kanafani was assassinated on the date of the first, and cartoonist Naji al-Ali on the second. It seems life is only determined to keep the legacy alive. Sadly for Mourid and Radwa’s only son, the poet Tamim Barghouti (b. 1977), February 14 will be a different celebration from now on.

To get a taste of his writings, a collection of his translated works is published on ArabLit and a wide-ranging interview by Maya Jaggi, published in The Guardian (2008). READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Argentina, Sri Lanka, and Sweden!

This week, our writers bring you the latest news from Argentina, Sri Lanka, and Sweden. In Argentina, Betina González’s first novel to be translated into English, American Delirium, has been released; in Sri Lanka, renowned dramatist Asoka Handagama will premiere his new play in March; and in Sweden, the Swedish Arts Council has responded to the need for increased funding in the literary and culture sector. Read on to find out more! 

Allison Braden, Editor-at-Large, reporting from Argentina

On Tuesday, Argentine novelist Betina González made her English-language debut with the publication of American Delirium (Henry Holt and Co.). The book chronicles the chaos that ensues after a strange hallucinogen invades a fictional U.S. town, and the stories of three central characters—Beryl, Berenice, and Vik—diverge and collide in a narrative that plays with notions of utopia and dystopia. To kick off publicity events for the novel, bookstore Politics and Prose in Washington, D.C., hosted a virtual conversation between González and her translator, Heather Cleary.

Moderator Idra Novey, who is herself a novelist and award-winning translator, focused in part on issues of translation. González began writing the book, which is set in the U.S., while living in Pittsburgh, Pennsylvania. González described how English served as a “ghost structure” behind her writing in Spanish. That “special Spanish,” as she called it, was also shaped in part by the various Spanish dialects and tones she encountered while living in the U.S.; incorporating those regional differences into the fabric of the narrative contributed to its hallucinogenic, dreamlike atmosphere. “The language,” she said, “needed to collaborate” with the plot.

The translation process began, Cleary explained, with close reading and a conversation with González about the three characters’ voices. Berenice and Vik’s sections are both written in the third-person, but the narration evinces subtle differences that reflect their respective personalities. Vik hails from an invented island in the Caribbean, which experienced first Spanish, then British colonization. (González conducted extensive research to shape his origins. In total, the book took about seven years to write.) To help capture González’s careful nuance, Cleary infused Vik’s sections with Briticisms, which hint at his home’s colonial history. (Vik, Cleary pointed out, was difficult to translate in part because he’s “kind of an asshole,” who is “as resistant on the page as he is in real life.”) READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Lebanon, Taiwan, and France!

This week, our writers bring you the latest news from Lebanon, Taiwan, and France. In Lebanon, translator Dr. Mona Kareem has won the National Endowment for the Arts Award and the Barjeel Poetry Prize winners have been announced; in Taiwan, the February issue of INK literary magazine presents work by sixteen Taiwanese authors on “A Memo for Literature of the Next Decade”; and in France, Vanessa Springora’s bestselling memoir about sexual abuse will be released in English translation. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

In Lebanon, the cultural world and the literary sphere has been rocked by the news of the assassination of Lokman Slim. Slim was a prolific writer and intellectual, and was an influential member of the cultural and political community, opening his research and documentation practice UMAM in southern Beirut. A celebration of his life and work was held on February 11.

In translation news, Dr. Mona Kareem, translator of Octavia Butler’s Kindred into Arabic, won the National Endowment for the Arts Award. Her award supports the translation from the Arabic of the poetry collection Falcon with Sun Overheard by Ra’ad Abdulqadir, a pioneer of Iraqi poetry. Here is Dr. Kareem’s haunting translation of his poem “A Song for the Lightning Bird.” Interested in learning more about the Arabic prose poem? Then listen to author Huda J. Fakhreddine’s online talk about it at Dartmouth College!

In more thrilling translation news, Sawad Hussain’s translation from the Arabic of A Bed for the King’s Daughter is being published by University of Texas Press. Written by Syrian author Shahla Ujayli, whose past work was long-listed for the International Prize for Arabic Fiction, this collection of short stories is experimental, witty, and loaded with uncanny images dealing with modernity, alienation, and patriarchy.  READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest news from Central America, Hong Kong, and France!

This week our writers bring you news from Central America, Hong Kong, and France. In Central America, renowned Guatemalan writer Eduardo Haldon has released his latest novel, Cancón, and Savladoran writer Claudia Hernández’s book Slash and Burn has been released in English translation by & Other Stories. In Hong Kong, literary journal the Voice & Verse Poetry Magazine has pertinently published a special feature about “Distance,” while in France, Italian writer Sandro Veronesi has won the Foreign Book Prize for Le Colibri, to be published in English translation in spring. Read on to find out more! 

José García Escobar, Editor-at-Large, reporting from Central America

Guatemalan poet Carmen Lucía Alvarado was recently nominated for the Rhysling Award for her poem El vacío se conjuga entre tus manos (The void blends in your hands), translated by Toshiya Kamei. Read the poem in English and Spanish here. Famed Guatemalan writer Eduardo Halfon released his new novel called Canción (Song). Published by Libros del Asteroide, his latest book tells a new chapter of the history of Halfon’s family, centering on his maternal grandfather and his kidnap during the Guatemalan Civil War (1960-1996). You can read an excerpt of Canción in English at The New York Review of Books site.

Also in Guatemala, the veteran poet and journalist Ana María Rodas released a new collection of short stories entitled Antigua para principiantes (Antigua for beginners). This new book includes several of Ana María’s most renowned short stories, plus other unpublished stories. This marks Ediciones del Pensativo’s first book of the year.

Additionally, in early January, & Other Stories published Slash and Burn, by the Salvadoran short story writer Claudia Hernández. The book was translated into English by Julia Sanches, who has translated the work of writers such as Daniel Galera (Brazil) and Noemi Jaffe (Brazil). READ MORE…