Dispatches

Weekly Dispatches From the Frontlines of World Literature

The latest from Vietnam, Central America, and the ALTA conference!

This week, read about the annual conference of the American Literary Translators Association, the new pathways Vietnamese writers and translators are helping to pave in the Anglosphere, as well as the new accolades, conversations, and impact of Central American literatures.

Thuy DinhEditor-at-Large, reporting for Vietnam and the Vietnamese Diaspora

Han Kang’s recent Nobel win has spurred lively discussions among writers in Vietnam and the diasporic community on how to sustain and promote Vietnamese literature beyond its national borders. Thiên Kim, co-founder of UK-based Major Books, believes it’s not a quality issue but the scarcity of works being translated into English that has prevented Asian literature from being more widely appreciated.

To rectify the situation, Major Books has teamed up with talented translators Nguyễn Bình, Đinh Ngọc Mai, and Khải Nguyễn, among others, to present a “well-rounded portrait of Vietnam while preserv[ing] the integrity and … originality of each [translated] work.” Titles to be published in 2025-2026 range from a new translation of a beloved national epic (Nguyễn Du’s The Tale of Kiều), a broad satire on sexual mores during the French colonial era (Vũ Trọng Phụng’s Making a Whore), a gritty exploration of contemporary LGBQT culture (Vũ Đình Giang’s Parallel), to a biting social critique via the lens of folklore and existentialism (The Young Die Old by Nguyễn Bình Phương). READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary news from Southeast Asia, Bulgaria, and Chile!

In this week of world literature, our editors cover the influence of censorship and propaganda on literature, and look back on Southeast Asian literature released this year.

Alton Melvar M Dapanas, Editor-at-Large, reporting from Southeast Asia

What a year in Southeast Asian literature! The Philippines, Vietnam, and Thailand took center stage in Penguin Random House Southeast Asia (SEA)’s catalogues, with a range of texts published throughout the year. First off in March was Bleeding Sun by playwright-novelist Rogelio R. Sicat, translated by one of Sicat’s children, the translator and editor Ma. Aurora L. Sicat, from the original Dugo sa Bukang-Liwayway, which was serialised beginning 1965. Sicat, who came of age in the aftermath of the American Occupation, wrote novels which further revealed his belief in land reform and love for Tagalog as a literary language, veering away from his contemporaries who were influenced by Euro-American conventions.

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Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Palestine and Kenya!

This week, our editors-at-large report on the intersection of literature and politics, from a pledge by leading others to boycott Israeli cultural institutions to a book launch by a prominent Kenyan political figure. From a historic call for solidarity with Palestine to an alleged abduction following a book launch, read on to find out more.

Carol Khoury, Editor-at-Large, reporting from Palestine

In a historic move, over 6,500 authors and literary professionals have pledged to boycott Israeli cultural institutions, citing their complicity in the oppression of Palestinians. This unprecedented commitment, initiated by more than 1,000 signatories, underscores a growing global response to the ongoing humanitarian crisis in Gaza. The open letter articulates a collective moral stance: “We cannot in good conscience engage with Israeli institutions without interrogating their relationship to apartheid and displacement.”

Notable figures among the signatories include Nobel laureates Annie Ernaux and Viet Thanh Nguyen, alongside prominent authors such as Sally Rooney, Arundhati Roy, and Michael Rosen. The letter draws parallels to the cultural boycott against apartheid South Africa, emphasizing the role of culture in normalizing injustices. It states that Israeli cultural institutions have historically obscured the realities of Palestinian dispossession and oppression.

The authors express that working with these institutions would contribute to harm against Palestinians, urging fellow writers and industry professionals to join their cause. They call for a recognition of moral responsibility and a refusal to support entities that perpetuate systemic injustice. This movement represents one of the most significant cultural boycotts in recent history, reflecting a profound commitment from the literary community to advocate for Palestinian rights amidst escalating violence and humanitarian crises. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest from Greece, Spain, Romania, and Mexico!

This week’s literary round-up include groundbreaking publications of Romanian literature, what to look forward to in the upcoming annual Guadalajara International Book Fair, and the passing of a Greek lyrical poet. Read on to find out more.

MARGENTO, Editor-at-Large, reporting from Spain and Romania

It’s the age of rediscoveries and revisitings in contemporary Romanian literature, both at home and abroad. In his singular indefatigable and all-inclusive manner, past Asymptote contributor Felix Nicolau has launched the first volume of the monumental anthology Grandes escritores rumanos (Great Romanian Writers), previously presented on our blog. The event took place on November 15 in Madrid at the Romanian Cultural Institute, where Nicolau presented the collection together with co-editor Alba Diz Villanueva.

While introducing Romanian classics to Spanish-speaking audiences—and thus marking a huge milestone in Romanian literature in translation, the impressive release has received accolades regarding its unique approach and framework amidst the entire Spanish-speaking literary world, specifically regarding its multifaceted richness fusing translation, literary commentary, didactic utility, and cross-cultural interpollination.

Felix Nicolau has also been involved in what is perhaps this year’s most sensational rediscovery in Romanian literature: De dor de sufletul lui Andersen (On Missing Andersen’s Spirit), a collection of fairy tales by Nichita Stănescu, published by Rentrop & Straton. Nicolau authored the preface to the text, and recently contributed an astute review of the same book to the literary magazine Astra. Famously known for his neo-modernist poetry of intriguing sophisticated imagery and memorable, abstractly paradoxical formulations that both stylistically revolutionized Romanian letters in the 1970s and implicitly opposed Communist social realism, Nichita Stănescu has been rediscovered in a staggeringly surprising capacity. These one-of-a-kind fairy tales verge on potentially best-selling children’s literature without relinquishing the radically imaginative innovativeness and the hypnotizing oracular diction of his poetry, with Nicolau placing them at the crossroads of Perrault, Saint-Exupéry, and Terry Pratchett. Additionally, argues Nicolau, there is so much more to these tales, as they are informed by avant-garde poetics and retain a cultural relevance within the digital age. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary news from Central America, China, and North Macedonia!

This week, our editors-at-large take us around the world for updates on award-winning literature from Nicaragua and Guatemala; the blend of art and letters in recent events centering Chinese literature in translation; and a dedication to one of the most influential literary figures in Macedonia, the late Olivera Nikolova. 

José García Escobar, Editor-at-Large, Reporting for Central America

Last month, Mexico’s FIL (Guadalajara International Book Fair) announced that the Guatemalan editor Raúl Figueroa Sarti will receive the inaugural Federico García Lorca Prize. The Premio Federico García Lorca a la Libertad de Expresión y Publicación is awarded to people or organizations that have promoted and protected freedom of speech across Latin America and Spain. Raúl Figueroa Sarti is the founder and director of F&G Editores, one of Guatemala’s and Central America’s most renowned publishing houses, and in 2021, he also won APP’s Freedom to Publish Award.

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Weekly Dispatches From the Frontlines of World Literature

The latest from Peru and Bulgaria!

This week, an exhibition honouring an iconic poet resonates with contemporary social movements in Peru, and a play causes quite the stir in Bulgaria. Read on to find out more!

Xiao Yue Shan, reporting from Peru

At the Casa de la Literatura Peruana (House of Peruvian Literature), space has appropriately been made for a poet who never wavered in his conviction of literature’s physical presence. Alejandro Romualdo (1926-2008) was a key figure of the Generación del 50—a Peruvian literary movement dedicated to a social ars poetica that would address daily realities and further political agency, formed amidst the dictatorship of Manuel Odría. Though few beyond the country will have knowledge of the power and continual influence of Romualdo’s works (which are regrettably yet to appear in English), this new exhibition, ‘Alejandro Romualdo: En la extensión de la palabra (in the extension of the word)’, firmly establishes the poet’s legacy, multiplicity, and role in shaping the Peruvian poetic landscape. Moving through not only his written works but his prolific activities as a graphic designer, humorist, cartoonist, and revolutionary, the brief but wide-ranging collection reveals a writer deeply embedded in the consciousness of his country.

‘The extension of the word’ is the title of Romualdo’s 1974 collection, which saw its writer interrogating poetry’s materialism for what more it could give to a world that demands a continuously evolving application of language. Working with concrete poetics, polyphonic constructions, and techniques of montage, Romualdo equalised the blank space of the page to the air—that which is both a separation and a link. In this era, he conceptualised the poetic form as a space where disparate or even antithetical ideas are held in a closed frame, thereby demonstrating the mind’s capacity to travel back and forth between them, uniting them as a single conceivable reality. Distance is relative in these poems, something easily breached by a long vowel sound or a dangling, dismembered line. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary updates from Kenya and Hong Kong!

In this week of updates from around the world, our Editors-at-Large report on a monumental literary award and an insightful language-focused podcast. From the Nairobi International Book Fair in Kenya to Jennifer Feeley’s advice for emerging translators of Cantonese literature in Hong Kong, read on to learn more!

Wambua Muindi, Editor-at-Large, reporting for Kenya

This year’s Nairobi International Book Fair was held September 25–29, celebrating twenty-five years of bringing together the world’s literatures. On September 28, 2024, the Jomo Kenyatta Prize for Literature 2024 winners were announced at the Westlands Banquet Center. Dedicated to authors writing in English and Kiswahili, Kenya’s official and national languages respectively, this year’s edition marked a comeback after a two-year hiatus due to funding challenges. An important distinction in the local book circuit sponsored by the Kenya Publishers Association, the Jomo Kenyatta Prize for literature has been celebrating Kenyan authors since 1972. This year, Ngumi Kibera’s The Gambler (2021), published by the Oxford University Press, took the adult category in English, and Tony Mochama’s A Jacket for Ahmed (2021) from Oxford University Press took the youth category. In the Kiswahili awards, Daniel Okello’s Kifunganjia (2021) published by Storymoja won the adult category while M.K. Taurus’ Swila Arejea na Hadithi Nyingine, published by Storymoja, took the children’s, and John Habwe’s Mshale wa Matumaini, published by Access Publishers, took the youth category. In addition, the association announced a list of twenty-five notable books and authors in the country over the last two and half decades. Congratulations to the winners and their publishers!

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Weekly Dispatches From the Frontlines of World Literature

The latest literary news from France, Greece, and the United States!

In this week’s roundup of world literary news, our team members fill us in on France’s literary awards season and exciting festivals in Greece and the United States. From the race for the Prix Goncourt to feminist literature in Athens, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

As the leaves begin to shift their colors, France’s literary scene is shifting into awards season. Last week, Jean-Pierre Montal took home the Prix des Deux Magots for his novel La Face nord, the Prix Medicis announced their 2024 shortlist, and the contenders for the prestigious Prix Femina are to be revealed in just a few weeks. That’s only to name a few!

Perhaps the most esteemed French literary prize, however, is the Prix Goncourt, and the time for its conferral is fast approaching. Awarded annually in November, the Prix Goncourt is bestowed by the Académie Goncourt upon “the best and most imaginative prose work of the year.” They also give separate awards for poetry (conferred this year to Haitian poet Louis-Philippe Dalembert), biography, and a large variety of international works, among others.   READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary updates from Ireland, Hong Kong, and a special on the Nobel laureate!

A world of news in this week’s roundup! From Ireland, discover the ambitious and innovative work of Macha Press, a collective pursuing a literature that is “international and intergenerational”; from Hong Kong and China, the fifteenth edition of the renowned International Poetry Nights in Hong Kong highlights the topic of translation; and from the Asymptote team as a whole, catch up on Han Kang, this year’s Nobel laureate in Literature.

The Asymptote Team, Reporting from our Fortnightly Airmail

And the winner of the Nobel is . . . Han Kang! After Annie Ernaux, the latest female winner in 2022, Han Kang is the eighteenth woman—and the first from South Korea—to be awarded the Nobel Prize in Literature. The Nobel committee’s citation commends her “for her intense poetic prose that confronts historical traumas and exposes the fragility of human life”. Her works confront acutely difficult subjects with a rare fearlessness and sensitivity, whether it be the personal, as in the Booker International Prize-winning The Vegetarian—a feminist classic of modern Korean literature that offers a powerful rebuke to a world that too often silences women—or the historical in Human Acts, where she depicts the Gwangju student massacre of 1980. In an exclusive essay for our Winter 2016 issue, her longtime English translator Deborah Smith describes the impenetrable potency of her style in this book: “Whenever I translate her work, I find myself arrested by razor-sharp images which arise from the text without being directly described there . . . the images themselves are so powerfully evoked by the Korean that I sometimes find myself searching the original text in vain, convinced that they were in there somewhere, as vividly explicit as they are in my head.”

After checking out our coverage of her latest novel in English translation, Greek Lessons, dive into more Korean Literature in the two Special Features we organized in partnership with LTI Korea, available for free in our Spring 2018 and the Winter 2023 editions.

MARGENTO, Editor-at-Large, Reporting from Ireland

One of the most significant events in recent Irish letters was the establishment of Macha Press in August and the subsequent announcement regarding its first two book launches, the debut already scheduled for October 17. Macha Press is a collective endeavour recently founded by seven poets with wide-ranging practices and experience: Siobhan Campbell, Ruth Carr, Natasha Cuddington, Shannon Kuta Kelly, Kathleen McCracken, Alanna Offield, and Lorna Shaughnessy. As stated in their first newsletter; “all founders are currently based on the island of Ireland and share a vision for the press that is international and intergenerational.” According to Lorna Shaughnessy, one of the founders, a poet-translator (featured in Asymptote Spring 2020), and a personal friend of mine, the aim of the press has always been to produce two books of poetry a year, one by an established or historical poet whose work the editors feel merits recovery, and one by an emerging poet.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest from Mexico, North Macedonia, and the Philippines!

In this week’s round-up of literary news from around the world, our editors report on an exciting translation-centric colloquium in Mexico, a prestigious award going to a new translation of one of North Macedonia’s most canonical novels, and the Frankfurt Book Fair’s spotlighting of the Philippines in its 2025 edition—a choice that has met resistance from local publishers due to the fair’s Zionist sympathies.

René Esaú Sánchez, Editor-at-Large, reporting for Mexico

They say that no matter what you do, there is always a saint from which you can ask for help. In the case of translators, that is Saint Jerome, who translated the Bible into Latin. Following the Council of Trent, his translation became the official Latin Bible in the western hemisphere.

With this in mind, the fourth Coloquio de Traducción Literaria San Jerónimo (Saint Jerome Literary Translation Colloquium) took place last week in Veracruz, Mexico. The event was dedicated to fully immersing participants in the art of translation and fostering discussions on what it truly means to translate. It was organized by the Culture Office of Veracruz and the independent publishing company Aquelarre Ediciones, which also sponsors a prize dedicated to literary translation.

Among the participants were notable figures such as Fabián Espejel, the recent winner of the Bellas Artes Margarita Michelena Literary Translation Award; Mario Murguía, who won the same prize last year; José Miguel Barajas, the translator of Mallarmé into Spanish; and José Luis Rivas, a poet who has translated works by Derek Walcott, John Donne, Ezra Pound, William Shakespeare, and T.S. Eliot. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Bulgaria and Central America!

This week, our editors-at-large fill us in on literary controversies, new releases, and returning festivals. From a conflict over a literary prize in Bulgaria to new short story collections from Asymptote alums, read on to find out more!

Andriana Hamas, Editor-at-Large, Reporting from Bulgaria

In July, I reported on the then unfolding conflict surrounding the proclaimed winner of the Novel of the Year award, given by the endowment fund 13 Centuries Bulgaria. It had turned out that Boris Minkov, the editor of the book (Вулкан or “Volcano” by Elena Alexieva), had also been a member of the jury, a fact that seemingly everyone had overlooked. The heated debates surrounding the legitimacy of the final choice led to Alexieva giving up her prize and the annulment of the decision.

In a recent development, Manol Peykov, managing partner at Janet 45, Вулкан’s publishing house, announced he would be withdrawing all nominated Janet 45 books from the competition as a way of making a statement against the way the above-mentioned crisis was resolved. The formal written withdrawal, which he shared on his personal Facebook profile, described the manner of dealing with the situation as “unacceptable, unprofessional, unethical and unfair.” The document questioned an existing legal ambiguity in the contest’s terminology: “No less worrying is the fact that neither [the organizers’] statements nor the published rules of the competition make it clear exactly what the definition of ‘conflict of interest’ is. Is it a conflict of interest for a member of the jury to have been or currently be published by one of the participating publishers? Or be close friends (or even bitter enemies) with any of the nominees? Or to have very recently received an unequivocal rejection from one of the other participating publishers?”

An official reply has yet to be issued. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

The latest in literary updates from Palestine and Hong Kong!

With a slight delay due to technical issues, in this week of dispatches from around the world our Editors-at-Large introduce the most impactful releases from their regions as of late. From Palestinian poetry that “transcends mere expression” in its beauty and purpose, to a number of works that promote public engagement with literature in Hong Kong, read on to learn more.

Carol Khoury, Editor-at-Large for Palestine and the Palestinians, reporting from Palestine

Ibrahim Nasrallah, the acclaimed Palestinian poet and novelist, has recently released a poignant collection of four new poems. The collection is now translated from Arabic by Huda J. Fakhreddine and will be published by World Poetry. Written in the shadow of the ongoing genocide in Gaza, these verses serve as a powerful indictment of global indifference towards the Palestinian plight, echoing the enduring tragedy of the Nakba that began in 1948. 

“I write now so that I do not die,” Nasrallah asserts, emphasizing the urgency of his message. He believes that with each attempt to erase their existence, Palestinians become more defined, more visible. These poems, dedicated to Gaza—a small yet symbolically vast territory—transform its struggle into a universal fight against darkness and tyranny. As Pierre Joris notes, Nasrallah’s work transcends mere expression; it embodies a visceral scream of the body, mind, and spirit, affirming the existence of Palestinians while mourning the losses of those killed and the land that remains elusive.

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Weekly Dispatches From the Frontlines of World Literature

The latest from Kenya, Egypt, and Mexico!

In this edition of our column for global literary news, Arabic titles are celebrated with the National Book Award’s longlist of Translated Literature, a vital literacy program in Kenya travels to a women’s prison, and a new cinematic adaptation of one of Mexico’s most important novels premiers at the Toronto International Film Festival. Read on to find out more!

Ibrahim Fawzy, Editor-at-Large, reporting from Egypt

Against the backdrop of the war in Gaza, literature emerges as a beacon of hope. Now translated into English, three Arabic literary works have been longlisted for the prestigious National Book Award for Translated Literature, standing as testaments to the resilience of the human spirit. Nasser Abu Srour’s The Tale of a Wall: Reflections on the Meaning of Hope and Freedom, translated by Luke Leafgren, is a poignant memoir recounting his decades-long imprisonment in Israeli jails. Through the lens of his imagination, Abu Srour transforms confinement into a realm of boundless possibility, exploring themes of love, justice, and the unwavering power of hope. The book’s evocative prose and its author’s unflinching honesty combine into a compelling narrative that has resonated with readers around the globe; interested readers can also see an excerpt published on Asymptote as a part of our All Eyes on Palestine column.

Additionally, Leri Price, a frequent contender for the National Book Award, has once again made the longlist with her translation of Samar Yazbek’s Where the Wind Calls Home (which Asymptote had selected for the February edition of our Book Club). This haunting novel delves into the complexities of human relationships and the devastating impact of war on individuals and communities. Another longlisted work is Bothayna al-Essa’s The Book Censor’s Library, co-translated by Ranya Abdelrahman and Sawad Hussain. This thought-provoking novel examines the censorship of literature and its profound implications for society. I’m so glad that Arabic literature is shining thanks to the fabulous work of its translators. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Mexico and the Philippines!

This week, our editors-at-large share reflections on prose from Mexico and an event on women in translation in New York. From the wise words of a beloved centenarian writer to a reading celebrating ‘minority’ languages, read on to find out more!

René Esaú Sánchez, Editor-at-Large, reporting on Mexico

“Prose is everything,” said Uruguayan poet Ida Vitale with cheeky irony. “I have a so-so relationship with poetry, but prose… it presents more challenges to me. Poetry is a matter of rhythm, of good or bad taste. But prose… prose is everything.”

Last year, Vitale reached the modest age of 100, and last week, with unparalleled lucidity, she inaugurated the Feria Internacional del Libro de las Universitarias y los Universitarios (Filuni), a book fair organized by the National Autonomous University of Mexico (UNAM) for students, academics, publishers, and writers. READ MORE…