Posts by Vincent Hostak

Asymptote Podcast: In Conversation with Jamal Saeed

Don’t missing this latest episode featuring a conversation with one of our contributors to the current issue!

Join us today for a heartfelt conversation with exiled Syrian author Jamal Saeed, author of the 2022 autobiography My Road from Damascus (ECW Press, Toronto). Podcast Editor Vincent Hostak recently sat down with Saeed, now based in Canada, to discuss his devastating short story, a highlight of our recent Summer 2024 edition. Written amidst the ongoing genocide in Gaza and translated into English by longtime collaborator Catherine Cobham, My Mother Fatima’s Cough plumbs the depth of grief and loss that follow generations of a family displaced multiple times over. The discussion is accompanied by a reading of an excerpt in English. Listen to the podcast episode now.

Asymptote Podcast: In Conversation with Dan Beachy-Quick

Fan of Dan Beachy-Quick’s poetry? Today, our brand-new podcast episode shines a spotlight on his work as a translator!

To American poet and translator Dan Beachy-Quick, translations of Greek poets from the lyric and philosophical traditions are an opportunity to “use the eye to break apart the mind and remind us that we have a mouth to sing another’s song.”

In this new Asymptote podcast episode, Beachy-Quick and Podcast Editor Vincent Hostak discuss the ongoing resonance of these songs in the twenty-first century—from the role of the translator in bringing those voices to life in the modern age, to how ancient poetics can continue to teach us. Readers are in for a treat: included are Beachy-Quick’s dramatic readings of his translations of Sappho, Wind-Mountain-OakMother and Child, Cast Out to Sea by Simonides and others. Listen to the podcast now.

Asymptote at the Movies: Xala

We all have our own tale of independence where we struggle with the past, the otherness, our desires, and our future.

In 1973, author and director Ousmane Sembène published Xala, a searing, polyvalent satire on post-independence Senegal, interrogating the shifting interpretations of tradition and postcolonial modernity, the corruption of new governing bodies, and the inherent divides that are further deepened by varying expectations of a liberated future. Two years later, he would direct the film of the same name, portraying the arrogant businessman El Hadji Abdoukader Beye, who experiences a bout of incurable erectile dysfunction on the eve of his third wedding. Juxtaposing multiple sociopolitical positions—from the rich to the poor, the radicalised to the subservient—the two works target the brute alienations brought on by occupation, resulting in an incisive condemnation against social inequality. In this edition of Asymptote at the Movies, we take a look at the ways the text and the film play against one another, coming together and diverting against the same incendiary narrative. 

Vincent Hostak (VH): Perhaps aware that Xala as a novel would reach a global audience, Ousmane Sembène seems to go out of his way to frame cultural references with parenthetical asides in service to the global reader; they punctuate the text with explanations of Africanity, Muslim customs, traditions of polygamy, and idiomatic language. In the film, these textual remarks are translated with a specialised cinematic grammar, using numerous audio and visual cues to satirise the state of many in the “new Africa.” Early in the film, the “Businessman’s Group,” as they are known in the text, are seen arriving only in an extreme close-up of their European shoes. Synchronously and wryly during this collection of scenes, African identity is reinforced with the audible chants of griots, trilling ululations, and Mbalax-style band music. Statements are coded into image, sound, costume design, if not direct dialogue, and through them, the viewer learns that colonial behaviors are stubborn and seemingly unerasable, even as the Business Group make a rite of casting out the art and properties of the former white leadership on the steps of the chamber.

As sure as El Hadji thinks he is “cursed” with the titular impotence of “xala,” he and his fellow citizens of a newly free Senegal are cursed by the remnants of colonialism. In the film, this is coded through European dress among the tuxedo-clad men (while women characters are more traditionally dressed), the protagonist’s copious gifts to his third wife, and an air of acquired indifference—transmitted in gestures and facial expressions of the actors. Only the beggars, a servant class, and the film’s women are dressed in apparel that indicates authentic origins and culture.

As original as Sembène is, I think certain contemporaneous satiric films may have influenced his choices, and I find it unavoidable to cite the work of another filmmaker with a revolutionary spirit: Luis Buñuel. Especially poignant in this regard is the black comedy, The Discreet Charm of the Bourgeoisie. It similarly portrays callous, regional aristocrats in various comic visual tableaux (including, famously, recurring scenes of the self-important protagonists briskly walking the countryside, accompanied by close-ups of their gestures of indignation). It also recounts a party ending with a violent act, staged by complainants, and which results in the execution of the insufferable principals. Sembène echoes the latter with less explicit violence in the surprising ending of Xala, in which El Hadji Abdou Kader Beye and his family are sentenced to a ritual humiliation by the city’s beggars.

Nestor Gomez (NG): In a 1974 interview with the Tunisian film critic Tahar Cheriaa, Sembène shared that he intended his film not only for Senegal but for the entire Third World. Xala is an allegory to cultivate awareness about the bourgeoisie, a new group of individuals rising to power in African society, and the title of both the film and the novel is meant to highlight the fact that this bourgeoisie is impotent and unable to create anything meaningful. READ MORE…

Asymptote Podcast: In Conversation with Matthew Landrum on Faroese Writer Anna Malan Jógvansdóttir

If you loved the spotlight on Faroese Literature in our latest issue, this episode is for you!

In today’s thrilling conversation with author and translator Matthew Landrum, Podcast Editor Vincent Hostak explores the compelling poetry of Anna Malan Jógvansdóttir and the renaissance of Faroese literature as spotlighted in Asymptote’s Spring issue. Nine Faroese authors from multiple generations are represented in our Special Feature organized in partnership with FarLit. The showcase, which readers can access here, affords a rare glimpse into literature from the Faroes. In addition to contextualizing Faroese literature and sharing how he came to translate Faroese literature, Matthew Landrum also reads in English a dramatic excerpt of Anna Malan Jógvansdóttir’s eerie and existential poem. Listen to the podcast now.

Asymptote Podcast: Nabokov and the Butterflies

Just in time for the weekend, a special episode all about Vladimir Nabokov’s twin passions: literature and lepidoptera, i.e., butterflies!

The third Asymptote Podcast episode for 2024 explores a chapter in the life of Vladimir Nabokov during his time in the United States (where he became a citizen in 1945). With his spouse, Vera, and son, Dimitri, he travelled across the America West at the dawn of the mid-nineteenth century. It’s estimated that Nabokov chalked up some 150,000 miles of travel by train and automobile, to Colorado, Arizona, New Mexico and other destinations in the Western United States. His curiosity for the West was supported by his interest in butterflies. The Russian American writer, known for his novels including Lolita and Pale Fire, was also a dedicated scientist of butterflies (a lepidopterist). Dr. Corrine Scheiner, the Maytag Professor of Comparative Literature at Colorado College, joins Podcast Editor Vincent Hostak in conversation about Nabokov’s twin passions: literature and lepidoptera. She explores how his scientific and aesthetic concerns converged in many of his writings. Dr. Scheiner also discusses, in depth, Nabokov’s work as a translator and his approach to self-translation. The episode was recorded in several locations within the Front Range of the Rocky Mountains of Colorado, where Nabokov researched and began writing Lolita. She shares readings that are often peppered with his acerbic wit regarding his experience with critics and the art of translation. Of course, the discussion would not be complete without insight from a contemporary lepidopterist.  From the conservatory within the Butterfly Pavilion, Shiran Hershcovich provides a unique perspective on the families of butterflies Nabokov likely encountered on his “hunts.”  Listen to the podcast now.

Asymptote Podcast: In Conversation with Kristin Vego

Just in time for the weekend, a sparkling conversation with current contributor Kristin Vego!

In the second podcast episode centering on contributors to Asymptote’s landmark 50th issue, Danish-Norwegian author Kristin Vego joins Podcast Editor Vincent Hostak in conversation. Her story, “All Things Lovely,” as translated by Jennifer Russell, represents her debut in the English language. Vego’s story also arrives at a moment when Norwegian literature is receiving global attention with last year‘s Nobel Prize in Literature going to Jon Fosse. Kristin Vego speaks of the “ghost of childhood” inhabiting a story of a young girl leaning into adulthood during a summer holiday within a Nordic landscape. Russell’s translation of Kristin Vego’s story sits alongside new work from 35 countries and 21 languages in the Winter 2024 issue, dedicated to the theme of coexistence. Listen to the podcast now.

Asymptote Podcast: In Conversation with David Unger

The Asymptote Podcast returns after a hiatus of two years!

Esteemed translator David Unger joins our new Podcast Editor Vincent Hostak for a conversation with readings of the poetry of Jaime Barrios Carillo. Born in Guatemala City in 1954 and living in Stockholm since 1981, Carrillo is known principally as a writer and columnist. His Two Poems from the Spanish Language volume Ángeles sin dios (Angels Without God; Ediciones Fenix), make their English language debut in the milestone 50th issue of  Asymptote, himself well acquainted with the social and political landscapes of Guatemala, provides rare insight into Carillo’s vision and style, influenced by the tradition of what Chilean Nicanor Parra called the Anti-poem. David Unger’s translations of Carrillo’s Two Poems sit alongside new work from 35 countries and 21 languages in the Winter 2024 issue dedicated to the theme of coexistence christened “Me | You | Us.” Listen to the podcast now.