Posts by Katharine Halls

Translation Tuesday: Two Poems by Ameer Hamad

Rockets have broken the bones of our planets

This week, we feature two poems from the Palestinian writer Ameer Hamad, including “Prayer” which was written during the most recent bombardment of Gaza, an austere appeal for an end to the violence that has seen the Palestinians, killed by Israeli airstrikes, form the overwhelming majority of the death toll. These two poems translated by Katharine Halls are small enough to carry in one’s palm; they utilise a mode of poetic witness attuned to distillation, frankness, and the startling force of an ending. Even as the recent ceasefire has struck a note of fragile peace, we read Ameer Hamad’s unflinching poems as a reminder that a people’s freedom can only come at the end of dispossession.

Prayer

Lord with your cloth wipe the smoke from our mirrors
Extinguish the fire at our windows with your tears
We have no strength not to trust in your mercy
Rockets have broken the bones of our planets
Bombs have shattered the glass of our air
And the fragments lie heavy on our eyes
As we hold them out to you
That you may set them on the scales. READ MORE…

Translation Tuesday: “Berliner Maqama, or The Hitchhiker from Heidelberg” by Haytham El-Wardany

The bald man didn’t talk much but he was a big smoker, and he kept rolling spliffs, one after another

The maqama is a trickster tale genre from the classical Arabic tradition. In the Maqamat of Badi’ al-Zaman al-Hamadhani—from whose ‘Maqama of the Blind’ the verses at the end of this text are taken—the itinerant narrator reports from towns and cities across the Middle East and Central Asia, encountering the mysterious rogue Abu al-Fath in a different guise each time. The challenge of evoking this intertextuality and the stylistic specifics of the maqama (which is traditionally written in rhymed prose, a feature that El-Wardany gently plays with here, and like premodern Arabic writing more generally, is not punctuated) offered the opportunity to experiment with visual presentation and stylistic eclecticism in the English translation.

—Katharine Halls, translator

Having travelled a great distance we stopped for a break, took refuge in a petrol station where we filled up the tank and emptied our bladders and stretched our stiff muscles until, refreshed, we got back in the car, determined to cover what distance remained  My wife took the wheel, it being her turn, and before she started the engine she said, Let us roll a spliff, which we did, but then as she turned the key to start the ignition a man appeared, I don’t know where from, bald and clean-shaven and wearing a jacket, and flagged us down, Are you going to Berlin? and we were, we said, so begging our kindness he asked for a lift        I looked at my wife and my wife looked at me, and then, decided, we looked back, Jump inas long as you’re not a highwayman, God forbid, so he fetched two huge bags from the verge, loaded up, and sat down beside them and then we set off.

The air in the car took a turn for the cagey, for here we were all of a sudden with a stranger          We didn’t know who he was or where he was going, he just sat in the back seat not saying a word, and but for the eyes of the oncoming cars which flashed past like ghosts, it was silent and dark            Then when I glanced across at my wife, I saw she was lighting the spliff we’d just rolled, and it surprised me to see she’d decided to impose this habit of ours on the car as a whole, but no sooner had we taken a puff or two than our bald companion leant forward and plucked it from our hands, saying Man! What a friend for the road. READ MORE…