Posts by Eva Wissting

Weekly Updates from the Front Lines of World Literature

This week’s latest news from Australia, Taiwan, and Sweden!

This week, our writers bring you the latest news from Australia, Taiwan, and Sweden. In Australia, the NT Writers Festival has celebrated Aboriginal writing and language; in Taiwan, registration has opened for the 2021 Taipei International Book Fair and the winners of the Golden Tripod Awards were announced; and in Sweden, the Nobel Prize in Literature announcement was made, awarding American poet Louise Glück. Read on to find out more! 

Rita Horanyi, Newsletter Editor, reporting from Australia

In Australia, like much of the rest of the world, literary events have been cancelled or moved online due to lockdowns and travel restrictions. Thus, it was especially exciting to see that the Northern Territory (NT) Writers Festival—held this year in the country’s tropical Top End in Darwin—was able to pull off a predominantly live event after having to postpone the festival from May to October.

The NT Writers Festival showcases local talent, alongside interstate and international guests, with a particular focus on South East Asian voices. Unfortunately, COVID-19 meant it was challenging to include writers from South East Asia this year, but, with the assistance of digital technology, acclaimed Indonesian poet Norman Erikson Pasaribu was able to join the festival to discuss “Translating Indonesia” with past Asymptote Editor-at-Large for Indonesia and translator Tiffany Tsao (the session is available to watch online here).

One of the ways the NT Writers Festival differs from many literary events in the country is in its strong emphasis on Aboriginal writing and language. This year’s festival included a panel with Meigim Kriol Strongbala (a group based in Ngukurr working to strengthen the place of Kriol), who discussed the process of translating the popular children’s book Too Many Cheeky Dogs (the session was held in both Kriol and English). Another special appearance was by the Gay’wu (Dilly Bag) group of women from Yirrkala in North East Arnhem Land. This group of women read from and discussed the writing of their Stella Prize longlisted book, Songspirals, which illuminates the role of women in the crying of Yolŋu songlines. Senior Yolŋu Elder Eunice Djerrkngu Yunupingu even keened milkarri (women’s songspirals) in front of festival audiences. In other sessions, a group of Arrernte poets from Mparntwe/Alice Springs read and discussed their new poetry collection, Arelhekenhe Angkentye: Women’s Talk, which interweaves poems in both English and Arrernte. READ MORE…

Weekly Updates from the Front Lines of World Literature

At home or not, travel the world with the latest in literary news.

This week, our editors from Argentina, Sweden, and Palestine have plenty to report. In Argentina, readers have paid homage to writer Rodolfo Fogwill on the tenth anniversary of his death, and a new imprint has been translating classics of Argentine noir into Greek; in Sweden, the annual Göteborg Book Fair is taking place online; and in Palestine, Adania Shibli’s Minor Detail has been nominated for a US National Book Award, whilst a new exhibition at the Palestinian museum has hosted a series of authors, including Mahmoud Shukair. Read on to find out more!

Allison Braden, Editor-at-Large, reporting from Argentina

Ten years ago, Argentina’s literary world was stunned at the news of Rodolfo Fogwill’s death. The writer, whom The Guardian called “loud-mouthed, provocative, and downright rude,” loomed large in Argentine letters, by dint of both his literary accomplishments and outsize personality. (His anti-war novel Malvinas Requiem was written in one cocaine- and whiskey-fueled week, and remains the only novel of his translated into English.) Last month, the country commemorated the decade since Fogwill’s death with a slew of virtual tributes: The National Library of Argentina’s YouTube channel featured a playlist of interviews and other audiovisual artifacts of his career; his publisher, Alfaguara, hosted Fogwill Week on their social media channels; and readers and writers paid homage to a writer whose works have remade the literary landscape. The enfant terrible lives on.

In Greece, classics of Argentine noir are finding new life with Carnívora, a new imprint dedicated to translating and publishing Latin American crime fiction in Greek. “In Argentina, literary talent abounds, and we could say that the reading public in Greece has had a kind of literary love for Argentina since the Latin American boom,” Carnívora editor and translator Aspasía Kampyli told La Nación this week. “That’s why it’s no coincidence that the first two writers we published, Guillermo Orsi and Raúl Argemí, have been Argentine, and the reception from critics and Greek readers has been especially warm.” In less than a year since its launch, the imprint has also won design awards for its logo and book covers. You can’t judge a book by its cover, but Carnívora’s positive coverage bodes well for Latin American noir in Greece.

More recent works are also getting buzz in foreign markets. Asymptote’s own Sarah Moses translated Agustina Bazterrica’s novel about a cannibalistic future for the human race, Tender Is the Flesh, for Pushkin Press (UK) and the Scribner (US). The book, recently reviewed in The New York Times, is available now in the US. Though it’s not traditional noir, Bazterrica’s book seems to fit Carnívora’s description of the genre: “crimes wrought by history or tragedy.” Perhaps we’ll soon see the novel in Greek. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week’s literary news from Singapore, Argentina, Sweden, and Malaysia!

This week, our writers bring you the latest news from Singapore, Argentina, Sweden, and Malaysia. In Singapore, the shortlist for the Singapore Literature Prize was announced; in Argentina, the Asociación Argentina de Traductores e Intérpretes has been celebrating National Translation month with a series of talks; in Sweden, the annual crime fiction festival Crimetime has begun; and in Malaysia, Erica Eng became the first Malaysian winner of the Eisner Award. Read on to find out more!

Shawn Hoo, Editor-at-Large, reporting from Singapore

Singapore’s premier literary award, the biennial Singapore Literature Prize, held a virtual awards ceremony for the first time last night, and handed out prizes across the nation’s four official languages (Malay, Tamil, Mandarin, and English). Notably, Marylyn Tan made history with her queer and transgressive poetry collection, GAZE BACK, when she became the first woman (and lesbian) writer to win the top prize for Poetry in English. Other big winners include Wong Koi Tet (published by City Book Room) and Sithuraj Ponraj, who walked away with two prizes each. Evidently, the arts have continued to feel the negative repercussions of the pandemic, as the top prize money was slashed from SGD$10,000 to SGD$3,000 this year due to a lack of funding.

Prior to the ceremony, Unggun Creative’s Jamal Ismail—who won the Merit Award for his novel Tunjuk Langit (Pointing the Sky)—had bemoaned the lesser prize money, but wondered if winners could alternatively be awarded the “translation of their works into other languages.” Literary translations across languages in Singapore remain an under-tapped potential.

Hearty congratulations to previous Asymptote contributors who made the shortlist: Hamid Roslan, for his inventive and cacophonous bilingual collection of poetry, parsetreeforestfire; and Amanda Lee Koe, for Delayed Rays of a Star, a novel that unfolds an ambitiously transnational history through the lives of cinema icons Anna May Wong, Marlene Dietrich, and Leni Riefenstahl.

In other prize-related news, the Epigram Books Fiction Prize—formerly reserved for Singaporean writers—was for the first time this year open to submissions from Southeast Asia. This year’s winning novel, How the Man in Green Saved Pahang, and Possibly the World, is written by Kuala Lumpur-born Joshua Kam and has just been released. Pre-orders are underway for the books by the other finalists who hail from across the region. With the emphasis on regional submissions continued for next year, the Singapore-based prize looks set to become an important institution shaping the regional English-language publication scene.

Finally, an online symposium held on August 12 explored the role of the anthology in Singapore’s literary ecosystem, and put the nation’s feast of anthologies into focus. In fact, the latest anthology to arrive just this month, Food Republic: A Singapore Literary Banquet (eds. Ann Ang, Daryl Lim Wei Jie, and Tse Hao Guang), describes itself as a literal feast: “a buffet, a banquet, an omakase, a smorgasbord, a nasi padang spread, a thali or a rijsttafel.”

READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's literary news from the United States, Sweden, and Mexico!

This week our editors bring you the latest news from Sweden, where a new edition of Nobel Prize-winner Nelly Sachs’s Swedish translations has been published; Mexico, where cultural centre Casa Tomada has continued its remarkable response to the coronavirus situation with a series of author events; and from Boston in the United States, which has lined up exciting programming this summer. Read on to find out more! 

Eva Wissting, Editor-at-Large, reporting from Sweden

This summer, Swedish publishing company Faethon released a new collection with the poetry of German-Swedish Nelly Sachs. For the first time, all of the most prominent Swedish translations of her poetry are presented together in one book. The collection includes classical translations by poets such as Gunnar Ekelöf and Erik Lindegren, as well as new interpretations by Margaretha Holmqvist, who also was a friend of Sachs. The book also presents thorough commentaries by Daniel Pedersen, professor in comparative literature, and an afterword by poet and translator Eva Ström.

The Jewish poet and playwright Nelly Sachs was born in 1891 in Berlin and fled together with her mother to Sweden in 1940 where she lived until her death in 1970. Sachs had a long friendship with Swedish writer Selma Lagerlöf, who used her contacts with the Swedish royal family to enable Sachs and her mother to escape Nazi Germany. In Sweden, Sachs lived with her mother in Stockholm and it was at this time that she became a poet of note. She remained active as a writer and a translator for the most part of her life. In 1966, Nelly Sachs was awarded the Nobel Prize in Literature “for her outstanding lyrical and dramatic writing, which interprets Israel’s destiny with touching strength.”

READ MORE…

Our Enduring Fascination: On Patrik Svensson’s The Book of Eels

Turning eels into an interesting read may seem challenging to some, but it’s exactly what Svensson accomplishes.

The Book of Eels by Patrik Svensson, translated from the Swedish by Agnes Broomé, HarperCollins, 2020

The full English title of Swedish arts and culture journalist Patrik Svensson’s debut book is spot on: The Book of Eels: Our Enduring Fascination with the Most Mysterious Creature in the Natural World. The original Swedish subtitle lacks “Our Enduring Fascination” and simply states “The Story of the Most Mysterious Creature in the World.” I like the English title better, because it’s that detail, the fact that the book is not just about eels, but also about us humans, our interest in the eels, and why they should matter to us, that makes this book about a slimy, snake-like water-creature relevant. 

Maybe you don’t think that you could be interested in a full-length book about every conceivable fact about eels. I certainly didn’t know I could be that interested until the buzz hit the Swedish literary scene last fall. It wasn’t just the book reviews, the author interviews, or the literary podcasts that kept turning their attention to The Book of Eels—Svensson was also awarded the August Prize, Sweden’s most prestigious literary award. And it didn’t stop there; even before the year ended, The Book of Eels had been sold to over thirty other countries. When I first heard about The Book of Eels, I could see why it stirred interest, because the subject matter is unconventional. So, what is the buzz all about? Well, for being a book about scientific, historic, and philosophical facts, it’s put together and presented in a prose that is easy to follow, even if you don’t typically read about the science of the bottom of the ocean or the ancient Greek origin of the scientific method. This is how Svensson depicts the Sargasso Sea:

The water is deep blue and clear, in places very nearly 23,000 feet deep, and the surface is carpeted with vast fields of sticky brown algae called Sargassum, which give the sea its name. Drifts of seaweed many thousands of feet across blanket the surface, providing nourishment and shelter for myriad creatures: tiny invertebrates, fish and jellyfish, turtles, shrimp, and crabs. Farther down in the deep, other kinds of seaweed and plants thrive. Life teems in the dark, like a nocturnal forest.

And so, with that nocturnal forest, Svensson establishes the centre stage for the Anguilla anguilla, the European eel, while simultaneously teaching us about the natural world and drawing us into his narrative. READ MORE…

Weekly Updates from the Front Lines of World Literature

The latest literary news from Argentina, Sweden, and Iran!

This week, our writers bring you news from Argentina, Sweden, and Iran. In Argentina, book fairs have moved events online and well-known trans writer Camila Sosa Villada has spoken about the benefits of trans literature; in Sweden, newspapers have been publishing full-length novels as a daily series for Summer; and in Iran, a new book of letters by Abbas Kiarostami has faced publication rights controversy. Read on to find out more! 

Allison Braden, Co-Editor-at-Large, reporting from Argentina

This year, the 46th annual Buenos Aires Book Fair was postponed indefinitely. The spring gathering, predictably, had to adapt to limitations imposed by coronavirus, but the change of plans was nevertheless a huge loss to the booksellers and industry professionals who rely on the blockbuster event, which attracts upwards of 10,000 visitors over the course of the fair. However, Fundación El Libro, the organization that puts on the fair, opted to go a different route for its children’s book fair. That programming will be held virtually, beginning this coming Monday, July 20, and continuing through the end of the month. Organizers promise hundreds of digital activity opportunities for children and young adults, which may provide welcome relief to parents.

Even with the book fair on hold, other efforts to promote Argentine literature around the world continue. Programa Sur, one of the most robust programs of its kind in the Spanish-speaking world, was developed in 2016 to offer grants to incentivize small and medium publishers abroad to release Argentine books in translation. Since its inception, the program site boasts that “over 800 foreign publishers from 46 countries have applied for support in the translation of 1,060 works by more than 380 Argentine authors into 40 languages.” The program is accepting applications through September.

Those stuck at home in Argentina and abroad, looking to keep their finger on the pulse of literary news and views, may turn to news organization RED/ACCIÓN’s weekly newsletter, Sie7e Párrafos (“seven paragraphs”). The Tuesday newsletter features readings and commentary on literature and nonfiction books, as well as occasional updates on the publishing industry. One recent issue featured a short interview with trans literary star Camila Sosa Villada. Interviewer Javier Sinay asked what the opportunities are for trans literature and what trans literature can contribute to the world. She answers, in my translation, “What happens when writing runs counter to the established canon? A kind of rupture in the peace promised by the rules of good writing . . . Now, you have the opportunity to read something unexpected, about unknown worlds and knowledge you never imagined.” Her answer underscores why the postponed book fair is such a loss and why Programa Sur remains so important. READ MORE…

Weekly Updates from the Front Lines of World Literature

Literary news from Brazil and Sweden!

As countries around the world are grappling around the walls of our new reality, their literatures respond in turn to the urgency of contemporary matters and the necessity of recognizing history. In this week’s dispatches, our editors report on publishers in Sweden taking on climate change and the world welcomes new translations of a canonical Brazilian author, among other noteworthy news. Read on to keep up!

Eva Wissting, Editor-at-Large, reporting from Sweden

Publisher Natur & Kultur announced in their most recent sustainability report that they aim to become Sweden’s first climate neutral book publisher. The goal is to become climate neutral within 2020, which means that firstly, they will do what they can to minimize climate changing emissions, and secondly, they will compensate for any emissions from their activities or production. Their printing house, located in Estonia, will switch to ecofriendly electricity and they are investigating how to minimize transportation within the publisher’s business. Authors published by Natur & Kultur include historian and former Swedish Academy Permanent Secretary Peter Englund (The Beauty and the Sorrow: An Intimate History of the First World War) and writer, columnist and August Prize winner Lena Andersson (Wilful Disregard and Acts of Infidelity).

Another reminder of the importance of action on climate change arrived recently with the fall edition of the triennial book catalogue from the Swedish book industry organization Svensk Bokhandel. This fall, Sweden’s most prominent environmental activist, and possibly most well-known person overall right now, Greta Thunberg, is having another book published by Polaris Publishing. Last year, photographer Roger Turesson and journalist Alexandra Urisman Otto travelled with Thunberg through Europe and the United States and the book is their depiction of the young environmentalist. Previously published works by Thunberg includes Our House is on Fire, written together with her parents and sister, and No One Is Too Small to Make a Difference, which is a collection of her speeches.

Daniel Persia, Editor-at-Large, reporting from Brazil

As Brazil continues to grapple with the ongoing coronavirus pandemic, its literary community perseveres. With the recent cancelation of the 26th International Book Fair of São Paulo, originally slated for October 30 to November 8, 2020, publishers, writers, and reviewers have carried the conversation to online platforms such as YouTube, Facebook Live, and Instagram. Despite current flight restrictions and limitations on travel, Brazilian literature continues to cross new frontiers, garnering new readers across the globe. READ MORE…

What’s New in Translation: June 2020

New publications from Brazil, Japan, and Poland!

This month, our selections of newly published literature from around the globe seem to cohere under the umbrella of trauma and memory, and the way they inevitably turn into narratives in the process of retrospection. From a Polish work of non-fiction that traces the sufferings of Poles during WWII, to the journals that document a Jewish immigrant in Brazil, to the strange and unspoken secrets of a small village in Japan—these works are of both documentation and imagination.

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A Little Annihilation by Anna Janko, translated from the Polish by Philip Boehm, World Editions, 2020

Review by Katarzyna Bartoszyńska, Educational Arm Assistant

It is a grim fact, one that acquires increasing urgency in recent years, that those who were alive to experience the horrors of the Second World War are getting older: before long, we will no longer be able to talk to people who have direct experience of those times. Thus, we are increasingly grappling with the problem of second-generation memory: with the matter of how the descendants of survivors preserve and pass on the stories of the past for future generations, and with questions as to whether, or how, those descendants inherit the trauma of their ancestors. Anna Janko’s A Little Annihilation is a powerful meditation on these issues.

In this reckoning with the past, Janko describes the destruction of the Polish village of Sochy by the German military on Tuesday, June 1, 1943: the inhabitants massacred and buildings burned to the ground over the course of a mere few hours. Nine-year-old Teresa Ferenc, Janko’s mother, was among the survivors. In recounts of conversations, her mother describes her memories of that day—most especially, witnessing the death of both of her parents. Janko also chronicles interviews with other survivors from the village, interweaving their stories and noting the discrepancies between them, while describing efforts to tabulate the exact number of lives lost. The impossibility of establishing precise details is a crucial reminder of the intertwined nature of history and memory, a refutation of the common notion of their opposition, as well as a reflection on the challenges of documenting a massacre.

For some English-language readers, Janko’s text may be the first work they have encountered that discusses the sufferings of non-Jewish Poles during the Second World War. For Americans especially, to learn about Nazi atrocities is generally to learn about their efforts to exterminate European Jews, without a detailed understanding of how their eugenicist ideology shaped their policies and strategies in a broader variety of ways. Confusion over the fact that Poland was occupied territory has led to mistaken statements about “Polish death camps” (most notably, perhaps, when President Barack Obama used the term during a ceremony awarding the Presidential Medal of Freedom to Jan Karski in 2012; he later apologized for the error)—as Janko angrily reminds readers. “In my opinion it would be best if Germany gathered up all the camps they left behind in Poland. So that no one would be mistaken any longer.” READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's latest literary news from Poland, Sweden, and China!

This week, our writers bring you the latest news from Poland, Sweden, and China. In Poland, Anna Zaranko’s translation of Kornel Filipowicz was awarded the 2020 Found in Translation Award; in Sweden, an anthology will soon be released of writings on coronavirus, featuring many international writers including Olga Tokarczuk; and in China, bookshops are responding to challenging times by moving to online engagement with their reading community. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Poland

Since she received the Nobel Prize for literature in 1996, Wisława Szymborska’s poetry has been appreciated around the world, while the work of her partner of twenty-three years, the master story teller Kornel Filipowicz (1913-1990) remained largely unknown outside Poland. Fortunately, this has changed with The Memoir of an Anti-hero by Kornel Filipowicz, published by Penguin Modern Classics in 2019 in a translation by Anna Zaranko. On March 31, Zaranko received the 2020 Found in Translation Award in recognition of her “quietly understated yet immensely evocative rendering of Filipowicz’s prose, which The Sunday Times’s David Mills described as ‘provocative, troubling, awkward, a proper classic.’”

On May 27, the winner of the eleventh Ryszard Kapuściński Award for Literary Reportage, awarded by the City of Warsaw, was announced online (the fourteen-minute video of the ceremony has English subtitles). The prize went to Katarzyna Kobylarczyk for Strup. Hiszpania rozdrapuje rany (The Scab. Spain Scratches its Wounds, 2019 Wydawnictwo Czarne), a book about grappling with historical memory. The jury praised it as “a fascinating story that blends the nightmarish and the grotesque, in which reality reveals its metaphorical dimension. It is proof that one can create real literature relying solely on facts.” READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week’s latest news from Sweden, France, United States, and Tibet!

This week, our writers bring you news from Sweden, where readers have been mourning the loss of two esteemed writers, Per Olov Enquist and Maj Sjöwall; the United States and Europe, where writers and artists have been collaborating for online exhibitions; and Tibet, where the Festival of Tibet has organized an unprecedented “Poets Speak from Their Caves” online event. Read on to find out more! 

Eva Wissting, Editor-at-Large, reporting from Sweden

Recently, Sweden lost two of its most prominent writers. On April 25, writer and journalist Per Olov Enquist, also known as P. O. Enquist, died at the age of eighty-five. He first became known to readers outside of Sweden with the novel The Legionnaires (in English translation by Alan Blair) which was awarded the Nordic Prize in 1969. In fact, many of his over twenty novels were awarded, including The Royal Physician’s Visit (translated by Tiina Nunnally), for which he received The August Prize in 1999, the most prestigious literary prize in Sweden. Enquist was also a literary critic, an essayist, a screenwriter, as well as a playwright. Several of his plays premiered on The Royal Dramatic Theatre and were directed by Ingmar Bergman. Furthermore, Enquist translated Friedrich Schiller’s play Mary Stuart and Henrik Ibsen’s Rosmersholm. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Bringing you the latest in literary news from Sweden, Iran, the UK, and Spain!

This week, our writers bring you the latest news from Sweden, Iran, and the UK. In Sweden, a new translation of Albert Camus’s The Plague is on its way, and the annual children’s book award ALMA has announced Baek Heena as its winner; in Iran, sales of The Enlightenment of the Greengage Tree have surged after its nomination for The International Man Booker Prize, and readers have welcomed a Persian translation of Italian writer Paolo Giordano’s new non-fiction work about contagion; in the UK, authors and publishers are proving resourceful after the cancellation of key literary festivals; finally, people around the world have been mourning the death of best-selling Chilean author Luis Sepúlveda, who sadly passed away this week in Spain.  

Eva Wissting, Editor-at-Large, reporting from Sweden

Easter in Sweden is usually a time when people have a few days off and either go skiing or open up the country cottage after the winter. This year, however, like in a lot of other places around the world, people have had to alter their plans as traveling was discouraged, even within the country. Unlike most of its neighboring countries, Sweden still allows bookstores as well as most other stores to remain open. Nevertheless, changed habits in a time of social and economic uncertainty has led to a decrease in sales of physical books by 35%. Although sales of e-books have increased by over 10%, bookstores have started plans to lay off employees and renegotiate rent costs, in order to manage a possible prolonged decline in book sales.

One book that nonetheless sells like never before in Sweden at this time, is French Algerian author Albert Camus’s The Plague from 1947. Swedish readers have the book today in a translation by Elsa Thulin from 1948, but a new translation is on the way, by Jan Stolpe, and will be available in stores by the end of April. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest news from Argentina, Sweden, Belgium, and the United Kingdom!

Rainer Maria Rilke writes in Letters to a Young Poet, “We know little, but that we must trust in what is difficult is a certainty that will never abandon us; it is good to be solitary, for solitude is difficult; that something is difficult must be one more reason for us to do it.” As countries around the world enter lockdown in response to the COVID-19 situation, readers, writers, and translators find other ways to thrive, to share their stories, and to respond to the crisis. In Argentina, female writers engaged with International Women’s Day; in Sweden, organizers found novel ways to interview authors after the cancellation of its Littfest festival; and in the UK and Belgium, publications and exhibitions look to live-streaming and online platforms to overcome cancellations.

Allison Braden, Editor-at-Large, reporting from Argentina

Around the world, women and men recognized International Women’s Day on Sunday, March 8. In Argentina, women protested pervasive violence against women and abstained from going to work or school on “Un día sin nosotras,” or “A Day Without Us,” the following Monday. But the day also marked an opportunity to celebrate the gains women have made in math, science, and literature, among other fields, and 2019 marked an unprecedented year for global recognition of Argentine women authors. One of the many authors recognized was María Moreno, a leading voice in the #NiUnaMenos (#NotOneLess) women’s movement in Argentina. Chile’s Ministry of Culture awarded her the Premio Iberoamericano de Narrativa Manual Rojas, and she recently read from her work Mujeres de la bolsa at the Mariano Moreno National Library in Buenos Aires.

This year, Argentina inaugurates a national literary prize, modeled on the Booker and Pulitzer prizes. The Premio Fundación Medifé Filba de Novela will honor a novel published in 2019 and award its author, who must be Argentine or a naturalized citizen, a cash prize. Authors and publishers are able to submit works for consideration until April 15. Organizers hope the prize will be a welcome source of conversation about Argentina’s literature for years to come. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest literary news from Poland, Sweden, Mexico, and Argentina!

This week our writers report on literary prizes and new releases in Poland, a collaboration between two renowned Swedish authors, the 41st International Book Fair in Mexico City, and commemorative events for María Elena Walsh in Argentina. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Poland

It’s never too late to #bemoreOlga—to quote Helen Vassallo (translatingwomen)—and report that Olga Tokarczuk is using some of her Nobel prize money to start a foundation to support writers and translators. To acknowledge the role translators played in her worldwide success, the Polish Association of Literary Translators has pulled together some stats: as of October 2019, 193 translations had appeared of Tokarczuk’s books into thirty-seven languages, with twelve more in the pipeline, by a total of ninety translators (names all listed here).

On January 20 the weekly Polityka awarded Olga Tokarczuk the Creator of Culture prize “for books that are ahead of their time, her style and for looking into the future of literature and our entire planet.” The prize was one of Polityka’s annual arts awards, with this year’s “Passport” for literature going to Dominika Słowik for her novel Zimowla (roughly, Huddling Together) a “thriller with horror elements, set in the small village of Cukrówka, a fascinating depiction of recent history.” In her acceptance speech, Słowik cheered the fact that, for the first time, all three shortlisted authors were women. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

Our latest dispatches from Sweden, United States, and Iran!

This week our writers bring you the latest news from Sweden, the United States, and Iran. In Sweden, Nordic Noir finds a new form in a popular podcast, whilst mounting tension between the United States and Iran sparks debate over the politics of language and the sociopolitical responsibility of artists. Read on to find out more!

Eva Wissting, Editor-at-Large, reporting from Sweden

Take Nordic Noir and True Crime, mixed with the possibilities—and sometimes blurry legal framework—of new technologies for storytelling, and what you end up with is a podcast called Mordpodden (“The Murder Podcast”) that promises the listener to be able to “dig into creepy, true, and really thrilling murder cases.” Since most documents from Swedish trials are easily accessible, the popular podcast with over 250,000 weekly listeners, has no shortage of source material. There has, however, been complaints about lack of ethical considerations when relatives of murder victims have found themselves encountering the very witness statements and traumatic experiences they thought they had left behind. READ MORE…